![]() It’s easily one of the best heavy albums of the year. Laying open and honest, all the mess and confusion of life on display.įrom song writing to production, The Grand Descent shows just how much growth the Massachusetts band has accomplished in three years. “Is it the end? Will I hurt forever? Is there a way I could change this? I want to die and take my life, why do I have to suffer?!” Where many in the genre may go for horror movie shock, or gore hound descript-a-thons, Whelan goes for the gut. Another standout song on the album is “Visions of Purgatory” which may have the most space of any song on the album (aside from the atmospheric “Distant Voice” that comes after it). It’s all raw feeling and horrors that are seen every day. “The flames fade away and all that’s left are my mistakes” Whelan growls before the guitars drop out and it’s just bass and drums. It’s all there, blast beats, hardcore break downs, riffs for days, punishing low end. outcast with his gorgeous husky and deathmetal Henry. “Burning Hand” is the centerpiece and may be the perfect example of what the band offers. female salmon spends days crafting and curating an artful nest in river gravel with her tail. ![]() ![]() Whelan wrote the album all on his own and this uniformity helps keep the album cohesive. There are also sections that are down right in a groove, where it hangs on a riff maybe longer than one is used to in their death metal. For how aggressive it is, it’s all surprisingly full sounding. Lyrically covering things like tragedy, disasters, accidents, and the macabre all wrapped up in personal turmoil, Mark Whelan’s vocals are full of gravel and venom but surprisingly distinct. These are the sounds of basements, sweat, and fury. There’s a punk attitude to the songs backed up by the furious drumming. They remind of Black Breath, that potent mix of genres where the only constant is pummeling. Mixing elements of death metal and hardcore, there are few chances to catch your breath across the album’s twelve songs, except maybe in the breakdowns where they hang on a riff for maximum head banging. This record looks and sounds excellent.įuming Mouth’s sound is punishing. Mach Dir also nicht unnötig Gedanken und finde in unserer Auswahl die richtigen Klamotten. Auf dem Gravelbike ist dabei alles erlaubt. Mit guter Bekleidung macht jede Ausfahrt mehr Spaß. That thick low end, the cymbals hissing like a blown speaker, the guitars cranked as high as they can go with every squelch and squeal blasted right into your ear. News & Trends Bikes Rahmen Reifen Laufräder Gruppen Lenker Bekleidung Schuhe Helme Podcast. The cover art is striking and all of the Ballou staples are there. Massachusetts’ own Fuming Mouth has both with their new album The Grand Descent. By Jonathan Bannister ( art by Mariusz Lewandowski and production by Kurt Ballou is basically all anyone should need for checking out an album.
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